Articles tagged with: Steve Scott
‘Vanya and Sonia and Masha and Spike’: Lighting up Chekhov with laughter at Goodman
Review: I hate going here, I really do, because it’s going to sound like home cooking, but the hysterical truth is – and everything about this is hysterical – that the Goodman Theatre romp through Christopher Durang’s “Vanya and Sonia and Masha and Spike” roundly eclipses the production I saw last season in New York. Directed by Steve Scott, this show is so smart and tight, so killingly funny, that seeing it just once may not be possible. ★★★★★
‘Red’ at Redtwist Theatre: As leonine Rothko roars, younger artist sees a changing canvas
Review: ★★★★ There’s nothing simple about either life or the color red. Both exist only as seemingly infinite inflections of their root ideas. But black is another matter. If red bespeaks life in all its surging complexity, black is its absolute opposite, the absolute end. Or so declares the abstract expressionist painter Mark Rothko in John Logan’s play “Red,” which roils and rages with irrepressible force at Redtwist Theatre. ★★★★
Theater 2014-15: World premieres, ‘Smokefall’ reprise crown plans for Goodman’s 90th year
14th in a series of season previews: Goodman Theatre has a bountiful 90th season in store, punctuated by a pair of world premieres, an early remounting of Noah Haidle’s “Smokefall” from last season — with returning featured actor Mike Nussbaum, also 90! — and a revival of August Wilson’s “Two Trains Running” that will be enhanced by several related events.
‘Clybourne Park’ at Redtwist: In a tight space, prejudice runs riot and hurt explodes in rage
Review: There’s garden variety theatrical intimacy, and then there’s the astonishing, welcome-to-the-family tumult of Bruce Norris’ “Clybourne Park” in the living room space that is Redtwist Theatre. ★★★★★
Theater 2013-14: Redtwist bundles premieres and extends hand to young actors, directors
14th in a series of season previews: What Redtwist Theatre artistic director Michael Colucci calls “the storefront premiere” of Bruce Norris’ “Clybourne Park” and the world premiere of ensemble member Tommy Lee Johnston’s “Geezers” will bookend the company’s 2013-14 season. Redtwist also will embark on a two-fold expansion program designed to create new opportunities for directors and actors just out of theater school.
The New Season: Once again, Redtwist will assemble shards of Miller’s ‘Broken Glass’
17th in a series of season previews: Redtwist Theatre’s founding artistic director Michael Colucci hopes the third time will be the charm as he attempts once again to find a Chicago audience for Arthur Miller’s “Broken Glass” – the launch piece for a 2012-13 season that also spotlights the Chicago premieres of Lee Blessing’s “Body of Water” and Leslye Headland’s “Reverb.”
The New Season: ‘Sweet Bird’ lifts Goodman into a lineup feathered with 3 world premieres
13th in a series of season previews: Three world premieres punctuate an ambitious slate of nine productions at the Goodman Theatre in the coming season. Two other shows are Chicago premieres. The red-letter lineup begins with Tennessee Williams’ “Sweet Bird of Youth,” following up on last season’s high-profile account of Williams’ “Camino Real.”
