Articles tagged with: Marcus Truschinski
‘Pride and Prejudice’ at American Players: Elizabeth and Mr. Darcy, with charm and brevity
Review: You can’t blame an audience for lapping it up: Skilled and familiar actors playing beloved characters in a story so cherished that everyone can pretty much recite along. But that doesn’t necessarily make for memorable theater. Witness the American Players Theatre stage version of Jane Austen’s novel “Pride and Prejudice” at Spring Green, Wis. ★★★
Oscar Wilde’s ‘Earnest’ at American Players: Much ado about manners, wit and attire
Review: Perhaps it’s because theater companies and audiences have always taken to heart Oscar Wilde’s subtitle for “The Importance of Being Earnest” that this silly, precious comedy of manners has remained a repertory fixture since its premiere in the Victorian world of 1895. Wilde slyly dubbed his play “A Trivial Comedy for Serious People,” and its triviality is indeed embraced seriously in this summer’s amusing romp at American Players Theatre in Spring Green, Wis. ★★★★
‘Two Gentlemen of Verona’ lights the open sky with crisp mirth at American Players
Review: Traditional criticism hasn’t been altogether kind to Shakespeare’s early comedy “The Two Gentlemen of Verona,” which is often portrayed as a workshop effort that set the stage for the Bard’s later, more sophisticated riffs on the madness of love. But this summer’s sharply drawn, energetic and sly production at American Players Theatre makes a savvy, satisfying case for a comedy worth catching. ★★★★
American Players Theatre offers Shakespeare, Friel, Stoppard in a festival mix in the woods
Preview: What’s in a name? American Players Theatre, which has been filling summers with drama since 1980 in the woods of Spring Green, Wis., doesn’t trade on the Shakespeare brand. But in every aspect of making theater, from staging to vocal delivery to its choice of plays, this ambitious enterprise hews to the Bard as its reference point. In the 2013 mix of eight plays, which opens June 15, APT includes a typical infusion of Shakespeare, a stylistic sweep from “The Two Gentlemen of Verona” and “Hamlet” to “Antony and Cleopatra.”
