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Dark, funny, musically vibrant ‘Don Giovanni’ raises the curtain on new Lyric Opera season

Sep 29, 2014 – 5:06 pm | 3,323 views
Mariusz Kwiecien and Marina Rebeka in 'Don Giovanni,' production by Robert Falls, Lyric Opera Chicago (Todd Rosenberg)

Review: A more appealing cast could hardly have been assembled for Mozart’s “Don Giovanni” than the vocally resplendent, good-looking singers who inhabit the Lyric Opera of Chicago’s new production and season opener. And for the most part, Mozart’s opera – dramatically dark and musically brilliant — is well served by director Robert Falls’ heated and funny approach to this tale of the world’s most infamous sex addict, whose recklessness and hubris finally bring him all the way down and then some. ★★★★

In Mozart’s Don Giovanni, director Robert Falls sees a complex figure worthy of Shakespeare

Sep 24, 2014 – 9:46 pm | 1,666 views
Director Robert Falls watches a 'Don Giovanni' rehearsal from the audience perspective. (Andrew Cioffi)

Interview: Robert Falls knows a complicated stage character when he sees one, and standing in front of him at the moment is no less intricate a figure than Mozart’s lady killer, Don Giovanni. Actually, notes Falls, artistic director at Goodman Theatre and stage director for the Lyric Opera’s season-opening production of “Don Giovanni,” it’s a different sort of killing that brings this prince of philanderers to his horrific end. The show runs Sept. 27-Oct. 29.

Lyric Opera’s diamond anniversary will spotlight Fleming and Serjan amid stellar cast of singers

Jan 27, 2014 – 3:09 pm | 7,345 views
Tatiana Serjan, soprano

Report: Russian dramatic soprano Tatiana Serjan, who riveted audiences as Riccardo Muti’s Lady Macbeth with the Chicago Symphony in 2013, will return to the Windy City next January at the Lyric Opera of Chicago to sing another knife-wielder, Floria Tosca, the tempestuous diva who tries to outwit a tyrant and foil her lover’s assassination. The Lyric’s 60th anniversary season, announced Jan. 27, also will feature soprano and Lyric creative consultant Renée Fleming in a signature role as Countess Madeleine in Richard Strauss’ final opera, “Capriccio.”