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Articles tagged with: Andreas Mitisek

Chicago Opera Theater buffs up neglected jewel in high-tech staging of Bloch’s grand ‘Macbeth’

Sep 17, 2014 – 3:12 pm | 3,769 views
Nmon Ford in title role of Ernest Bloch' 'Macbeth' at Chicago Opera Theater (Keith Ian Polakoff)

Review: When Swiss-born Ernest Bloch began to contemplate the creation of his first and only opera, “Macbeth,” he was an untested 25 and would turn 30 before his opus found footing at the Opéra-Comique in Paris. The opera then slipped into oblivion. What is surprising is how staggeringly good Bloch’s result is — for an opera that almost no one knows. ★★★

Off-beat coupling of works by Ullmann and Orff casts vibrant light on opera as intimate theater

Jun 6, 2014 – 9:36 am | 1,738 views
The Harlequin (Bernard Holcomb) consults with Death (David Govertsen) in 'The Emperor of Atlantis.' (Liz Lauren)

Review: When opera is really working as theater, you tend to forget you’re listening to sung speech as you lose yourself in drama’s thrall. That’s precisely the effect in Chicago Opera Theatre’s potent evening of one-act rarities: Viktor Ullmann’s darkly surreal “The Emperor of Atlantis” and Carl Orff’s wry parable “The Clever One.” ★★★★

Love, loss and broken souls framed in tangos: COT etches dolor of ‘María de Buenos Aires’

Apr 23, 2013 – 4:51 pm | 5,766 views
Mezzo-soprano Peabody Southwell in the title role of "María de Buenos Aires" by Astor Piazzolla and Horacio Ferrer directed by Andreas Mitisek Chicago Opera Theater 2013 credit Liz Lauren

Review: Bittersweet remembrance with a tango pulse hangs over the surreal mindscape of “María de Buenos Aires,” the operatic love story created – perhaps the right word is insinuated – by composer Astor Piazzolla and poet Horacio Ferrer, and staged with bold, evocative imagination at Chicago Opera Theater. ★★★★

This old ‘House’ a bit shaky as multi-Mitisek ushers in COT regime with goth Philip Glass

Feb 26, 2013 – 4:32 pm | 13,066 views
Ryan MacPherson Roderick tormented by entombment of Madeline Fall House Usher Philip Glass Chicago Opera Theater 2013 cred Liz Lauren

Review: On paper this looks like a no-brainer: American opera’s most influential composer of the 20th century transforming a gothic horror tale by Edgar Allen Poe, the 19th century’s master of the macabre. You can almost taste the possibilities for sustained tension and terror. Goth drollery is needed, but COT’s twice-twisted tale meanders. ★★★