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Articles tagged with: Amanda Majeski

‘Marriage of Figaro’ at Lyric Opera: Stellar voices prevail in a farcical take on Mozart’s comic gem

Sep 29, 2015 – 3:17 pm | 1,089 views
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Review: If Mozart’s “The Marriage of Figaro” is inherently and effectively a bittersweet comedy that edges into farce, the new production directed by Barbara Gaines that opens the Lyric Opera of Chicago season reframes it as farce that edges into cartoon. This “Figaro,” conducted by the Hungarian Henrik Nánási in his American debut, fares best where a uniformly strong cast of singers is allowed to stand and deliver Mozart’s witty, touching, brilliant and wise arias and ensemble numbers. ★★★★

Shakespeare director Barbara Gaines modulates to Mozart at Lyric Opera, and sees second Bard

Sep 23, 2015 – 12:10 pm | 1,277 views
Barbaraa Gaines directs Figaro

Interview: The first venture for the Lyric Opera of Chicago this season is also the first Mozart ever taken on by Barbara Gaines, artistic director at Chicago Shakespeare Theater. And in the poignancy – and the comedy – of “The Marriage of Figaro,” Gaines finds the Bard’s own sensibility, his empathy and his compassion.

Lyric Opera staging of Weinberg’s ‘Passenger’ casts intimate light on life, death at Auschwitz

Feb 26, 2015 – 1:22 pm | 2,131 views
Amanda Majeski and Daveda Karanas in 'The Passenger,' by Mieczyslaw Weinberg, at Chicago Lyric Opera Feb. 2014. (Robert Kusel)

Review: The first impression of “The Passenger” by the Soviet composer Mieczysław Weinberg, whose Holocaust-inspired 1968 opera has been circulating the globe since its belated 2010 world premiere, is that of a major composer in his prime. Conducted with searing authority by Andrew Davis, the illuminating Lyric Opera of Chicago presentation of “The Passenger” seemed familiar right away. Weinberg was typically referred to as a lesser-known member of Shostakovich’s inner circle, but in fact he was on top of his world. ★★★★

From ‘Romeo’ to ‘Figaro,’ love rules as Lyric plans eight operas, ‘King and I’ for 2015-16

Feb 11, 2015 – 10:34 am | 2,192 views
Thomas Hampson and Renee Fleming to star at Chicago Lyric Opera in Nov. -Dec. 2015.

Report: You know that Valentine’s Day is just around the corner when the romantic couplings planned for the Lyric Opera’s 2015-16 season are the stuff of headlines. The game of love becomes a delicious frenzy when lots of money and a very attractive widow are at stake: Soprano Renée Fleming will be playing her “Merry Widow” title role to the hilt with baritone Thomas Hampson beginning Nov. 14 and into the holiday season. We provide details.

Maestro Davis, two stellar singers lead mixed Lyric Opera revival of Mozart’s ‘Clemenza’

Mar 7, 2014 – 3:37 pm | 8,711 views
Sesto (Joyce DiDonato), Vitellia (Amanda Majeski) Clemenza di Tito, Mozart, Lyric Opera Chicago (© Todd Rosenberg)

Review: Mozart died in 1791 just months after writing “La Clemenza di Tito,” about the first-century Roman emperor Titus and his struggle to rule with generosity of spirit. Performances are still a rarity, and the most successful aspect of the production at the Lyric Opera of Chicago is the unmistakable fineness of the music itself. ★★★

Lyric Opera’s diamond anniversary will spotlight Fleming and Serjan amid stellar cast of singers

Jan 27, 2014 – 3:09 pm | 7,343 views
Tatiana Serjan, soprano

Report: Russian dramatic soprano Tatiana Serjan, who riveted audiences as Riccardo Muti’s Lady Macbeth with the Chicago Symphony in 2013, will return to the Windy City next January at the Lyric Opera of Chicago to sing another knife-wielder, Floria Tosca, the tempestuous diva who tries to outwit a tyrant and foil her lover’s assassination. The Lyric’s 60th anniversary season, announced Jan. 27, also will feature soprano and Lyric creative consultant Renée Fleming in a signature role as Countess Madeleine in Richard Strauss’ final opera, “Capriccio.”

Lyric Opera cobbles together heart and hilarity to create the perfect fit for ‘Die Meistersinger’

Feb 11, 2013 – 12:49 am | 9,628 views
James Morris as Hans Sachs in Die Meistersinger Chicago Lyric Opera 2013 credit Dan Rest

Review: ★★★★