Review: One well might argue that Shakespeare’s “Measure for Measure” is a less than perfect play. But the neatly framed picture of hypocrisy at its core is so clear, indeed so ringingly universal in its human embrace, that it resonates in any culture. Witness the Russian-language production (with English supertitles) that officially popped the cork Jan. 27 on Shakespeare 400 Chicago, a yearlong aggregation of events dramatic and otherwise spearheaded by Chicago Shakespeare Theater. ★★★★
Read the full story »Portrait of duress at Lifeline. 4 stars!
The Chicago Lyric Opera’s new season begins and ends with shows that should attract aficionados of opera and theater: “Elektra” and “A Streetcar Named Desire.” Here’s the show-by-show breakdown.
A play verging on opera. 4 stars!
It’s a midsummer night… 4 stars!
Sex and religion at Writers’. 4 stars!
Song and dance on the Delta. 5 stars!
Feature: Chicago Symphony Orchestra performances in California and at Carnegie Hall will introduce new works by young resident composers Feb. 14-19 and Oct. 4.
Student-teacher clash at Next. 4 stars!
Interview: The Texas native talks about his unlikely mid-career burst into stardom at the Metropolitan Opera. Morris plays the hero Siegfried in the Met’s HD broadcast of Wagner’s “Götterdämmerung” at cinemas worldwide Saturday, Feb. 11.
Stompin’ at Victory Gardens. 3 stars
Complete season highlights, details.
Some wounds heal slowly. 4 stars!
Meltdown at Amer. Theater Co. 5 stars!
The Princess’ rival is her slave. 3 stars
Review: Chicago Symphony Orchestra and Chorus with the Chicago Children’s Choir conducted by Riccardo Muti. Maria Grazia Schiavo, soprano; Max Emanuel Cencic, countertenor; Stéphane Degout, baritone. Through Jan. 28. *****
Cynically, unbearably funny. 4 stars!
Review: If Dvorak’s Ninth Symphony is a yearning postcard “From the New World,” his Symphony No. 8 in G major is redolent of a composer happily settled on native ground. The Eighth is decidedly of the Old World, as conductor Manfred Honeck and the Chicago Symphony Orchestra so generously demonstrated Jan. 19 at Orchestra Hall. ****
Full count at the Lookingglass. 3 stars.
Interview: Diane D’Aquila, who brings Queen Elizabeth I to regal and vulnerable life in Timothy Findley’s “Elizabeth Rex” at Chicago Shakespeare Theater, says acting in this gripping, keenly honed production “is a like a dance out there, and it’s scary as hell.”
CD review: Conductor Riccardo Chailly’s new recording of Beethoven’s nine symphonies, with the Leipzig Gewandhaus Orchestra, may finally be the document that changes the way we think of these seminal works – and the way the next generation of conductors approaches them. *****
Preview: Barbara Gaines directs actors from Chicago Shakespeare Theater in concerts Jan. 5-14 with the Chicago Symphony Orchestra conducted by Sir Mark Elder, featuring music inspired by the Bard.
The Berlin Philharmonic began live concert broadcasts over the Internet in mid-2009 amid some high-tech speed bumps. Is 2012 the year it all comes together?
Our selective guide to the best national broadcasts, international radio streams, concert replays and festive downloads to help you ring in New Year 2012.
Review: “A Steinway Christmas Album,” a classy bundle of seasonal arrangements compiled and performed by pianist Jeffrey Biegel. (Steinway) ****
And Odysseus is bearing down. 3 stars.
Interview: His clown suit, a bit tattered and soiled with soot, looks like it once might have been pure white. But the character Dean Evans plays in the Neo-Futurists’ production of “Burning Bluebeard” is decidedly dark, one might even say spectral.
Capra’s film as oldie broadcast. 4 stars!
The Finnish conductor Esa-Pekka Salonen shares a peculiarity of temperament and genius with Gustav Mahler. Like Mahler in his time, Salonen today stands among the most important conductors in the world. And again like his great forebear, Salonen would really rather be composing than be saddled with the responsibilities of music director for any orchestra you could name. Even one that might be looking for someone to succeed James Levine in Boston.
Debut tour at Chicago Theatre. 4 stars!
Profile: Anonymous 4, the vocal quartet renowned for its plainchant and medieval music recordings, celebrates 25 seasons with a holiday concert of favorites at Chicago’s Art Institute Dec. 18, and a new release called “Secret Voices.”