Review: One well might argue that Shakespeare’s “Measure for Measure” is a less than perfect play. But the neatly framed picture of hypocrisy at its core is so clear, indeed so ringingly universal in its human embrace, that it resonates in any culture. Witness the Russian-language production (with English supertitles) that officially popped the cork Jan. 27 on Shakespeare 400 Chicago, a yearlong aggregation of events dramatic and otherwise spearheaded by Chicago Shakespeare Theater. ★★★★
Read the full story »Cripple Billy’s adventure. 4 stars!
Young love put to the test. 4 stars!
Turn of the century saga. 4 stars!
Matinee idol preens, pouts. 4 stars!
Cops under gun at TimeLine. 4 stars!
Interview: He’s just making it up as he goes along, the Confederate turncoat portrayed by Ian Barford in Steppenwolf Theatre’s current production of “The March.” That’s what Barford likes about his opportunistic character called Arley. And in a sense, the actor says, he’s doing much the same thing on stage from night to the next, trying to track the pitch and roll of a soldier who’s trying to find his own meaning.
Review: It’s one thing to hear a hair-raising orchestra performance on a CD, and quite another to experience it happening right in front of you, live, in the splendorous acoustics of a concert space. The Chicago Symphony Orchestra’s rocket-sled finale in Beethoven’s Seventh Symphony on May 15 at Orchestra Hall, with conductor Jaap van Zweden, was one to send a writer combing his thesaurus for a higher form of wow. *****
Suffrage at Shattered Globe. 4 stars!
Alexander Hanna, 26, was groomed at Curtis, Tanglewood and Verbier.
Review: Lang Lang’s debut at Chicago’s 3500-seat Civic Opera House was quietly elegant, cogently argued and intensely focused. That is, until the abundantly gifted pianist gave himself over to some astonishing fireworks. With a technique like that, who can blame him? ****
Sondheim’s paean to love. 4 stars!
Review: When Tilly shows up, she elevates the common funk to dolorous heights so seductive, transporting and rarified — cue the cello — that only the Japanese have a word for it, or is it the Scandinavians? This is Sarah Ruhl’s 2001 “Melancholy Play,” a gentle misery-loves-company fable of high wit. ***
Musical classic, new again. 4 stars!
Bittersweet therapy with beast. 2 stars.
Beijing, Mexico City, Seoul among stops.
Preview: When Chinese piano sensation Lang Lang steps onto the stage at the Civic Opera House for his recital Saturday night, it will be a special moment for everyone in the house – including the pianist.
Brian Dennehy, Nathan Lane. 5 stars!
Mega-rich tycoon falls low. 4 stars!
A stew of great characters. 4 stars!
Lust, greed and mayhem. 3 stars
Preview: The Scottish actor, a Shakespeare veteran, talks with Chicago On the Aisle about the dark and turbulent mindscape of “Timon of Athens.” The play opens May 2 at Chicago Shakespeare Theater.
‘In a Forest, Dark and Deep.’ 4 stars!
CD Reviews: The latest evidence of the Philharmonia Baroque’s mastery of 18th century fare is a CD release of Vivaldi’s “The Four Seasons” – plus three more violin concertos by the Red Priest, as Vivaldi was known – featuring the orchestra’s wizardly concertmaster and all-world Baroque star Elizabeth Blumenstock. ****
‘Beyond the Score’ with Riccardo Muti
Medea’s very, very jealous. 4 stars!
Interview: As “the soul of the age” turns 448 on April 23, the celebrated actor talks with Chicago On the Aisle about his one-man play “Being Shakespeare,” presented by Chicago Shakespeare Theater at the Broadway Theatre through April 29.
Doctorow’s novel on stage. 4 stars!
‘Moscow, Cheryomushki.’ 4 stars!
Con game in the park. 3 stars.